Preparing for Travel

House guests kept my pretty busy during President's day weekend, so not much time for blogging until now. It has snowed off and on here for the past few days, but nothing really lingers too long. The Key West trip coming up this weekend is seeming even sweeter as I look out my window and see yesterday's cold weather remnants on the ground. All I ask is to just keep the roads and airplane wings clear of ice until I can get down south! Today I am playing with some art supplies so that I can determine what to bring with me down to Key West. If I had no limitations I would just bring my oils and easel, because in my opinion there is just nothing like them! But a plein air painter or sketcher has to consider the most portable and lightweight options when traveling, and especially when dealing with the airlines, and oils don't always fit the bill.

Typical plein air travel gear can include:

• Easel or pochade box with attached tripod
• Paints
• Painting medium
• Paint Thinner (for oils- best to buy this at the destination if possible)
• Brushes and palette knives
• Hat and rubber gloves (optional but I am a messy painter)
• Canister for paint thinner (for oils) or water (for other water media)
• Small spray bottle filled with water (for water media)
• Paper towels
• Plastic bag for trash
• Bug spray and sunscreen
• Bottled water
• Small sketchbook and pencils (for working out compositions)
• Camera
• Painting surfaces (canvas, panels, papers, etc.)
• Wet panel carrier (for oils)

Other optional supplies might be:

• View finder (a little tool for determining your composition on the fly)
• Portable chair or stool
• Extra bungees and weights (for weighting your easel on a windy day)
• Umbrella
• A rolling case or dolly to cart all of this stuff around!

By no means am I saying that all of these supplies are required. Some watercolorists get by with two brushes, a watercolor block, sketch pad, a small container, some pens and pencils, and 3 to 5 paint colors, all stashed in a backpack. I think it is all what one feels comfortable with. A studio painter usually has more "stuff" within arms length, and paring down requires some effort and acclimation. I have done both studio and plein air painting, so I feel pretty comfortable with both. Even so the temptation is to bring more (maybe too much) stuff "just in case I need it". I'll try and post my painting kit here once I've figured it out.

-Jennifer Young; Vibrant Landscapes www.jenniferyoung.com Contact

Painting of Venice

I was bad today. I cut out of finishing my taxes to work on my painting of Venice. Dave (my husband) is going to be so exasperated because I promised to have all of my tax info done and ready to go by Thursday. Well...he didn't say what time on Thursday now, did he? Back to the painting: It's not quite done yet but I thought I'd post my progress here. One day while we were in Venice we took a long stroll and got lost in the neighborhood of Castello....Or at least we started out in Castello. Somehow things went awry and we wandered and wandered. We finally ended up in Canareggio, caught in a thunderstorm, at the end of the little peninsula. It was the best day ever! I got tons of pictures, we ditched the maps and just walked where our will would take us.

I think we finally figured out that we could take a vaporetto to Santa Croce, and then on to our hotel in Dorsoduro, but that was late in the day after much, much walking. Any way, I recorded this scene on our Castello to Canareggio to Santa Croce to Dorsoduro afternoon:

This photo is kind of on the dark side because I snapped it in the late afternoon in my studio. I'll post a better, more complete photo on my website when I am officially finished with the painting.

-Jennifer Young; Vibrant Landscapes www.jenniferyoung.com Contact

Winter Chores

This year one of my main goals is to get organized and streamline my office and studio. There is a great book called Organizing From The Inside Out by Julie Morgenstern that is very helpful in this respect. This book is especially appealing to me because her approach is both creative and accessible. One of her techniques is to set up your environment in stations, according to task. So, for instance, in my studio I have a painting station, a framing station, a storage area, a cleaning station, and so on. Within those stations, every tool or supply has a "home" so that you always know where to find it. That is the idea, any way, and when you set it up like that from the start, it really does work! But when I moved to the new studio I kind of got away from that, and instead just set up as quickly as possible to get started with my painting. This worked for a while, but now my calendar is filling up with travel plans, (Key West countdown: 2 weeks!!) and the upcoming workshop. Organization is not an option, it really is a requirement. It is worth taking that extra bit of time to set things up systematically so that I can work smarter, not harder.

This week is also tax week, which I always rather dread even though I have an okay system and can usually get through just fine. I guess it's just that I already do a lot of desk and computer work with my website design and maintenance. It's a challenge to focus my left brain on papers, reports, and numbers when I have a painting of Venice sitting on my easel calling me.

Read about Jennifer's current and upcoming workshops here!

New Italian landscape painting

Here is another painting of the olive groves in Tuscany. Just finished and still wet, it is a gallery wrapped painting with finished edges on all sides:

It measures 24"x24". Here is a side view:

This is a substantial 1 1/2- inch thick canvas that is smooth on the perimeter. Staples are attached to the back of the frame rather than the sides, which allows the artist to paint to the edge.

Most often landscapes paintings are done in, well, landscape format. But every so often there is a scene that lends itself just as well to a square orientation. To me the square is a nice surprise, and a bit more playful and informal. I really enjoyed painting this. I loved the layers of information, and the way the olive groves just went on forever. The light is that of a crisp afternoon in springtime. This is another scene from that beautiful region called La Crete, located in the province of Siena.

I'm titling this painting "Olives Without End". You can see the details about this painting in the Italian Landscapes section of my website.

-Jennifer Young; Vibrant Landscapes www.jenniferyoung.com Contact

New workshop forming in Greenville, NC

I'm delighted to announce that I will be conducting a day-long workshop in Greenville, North Carolina on March the 10th. Painting the Landscape in Oils- The workshop will focus on the following topics:

*Materials and techniques for the unique challenges of landscape painting

*How to take and work from your own photo references

*A discussion on taking the next step (painting en plein air!)

*Painting demonstration

*Time for participants to work on their own paintings

Read about Jennifer's current and upcoming workshops here!