Balbianello Gardens w.i.p

Balbianello Gardens w.i.p.
Balbianello Gardens w.i.p.

After the time requirements of my last painting, I thought I would reward myself this week with some smaller pieces for a while. Halloween came early to our house in the form of a nasty virus that has rendered us all coughing, sneezing zombies (the littlest of which apparently doesn't sleep much at night with a cold). Needless to say,  I am really dragging this week. Nevertheless, I've managed a little studio time, and here is my painting in progress ( a 16x20" canvas)  of the beautiful gardens of Villa Balbianello.

I did a painting of the villa itself a while ago, (which you can see here) but this view is from the edge of its magnificent gardens, looking beyond the statuary towards the distant village across the lake .

This is one session worth of work (about 3 hours). I will probably need another session of a couple of hours to finish. The punkin' seems to be dropping her naps more and more these days (say it ain't so!) but if I can squeeze another nap out of her today, I might actually be able to complete it.

Still no plein air painting this fall, though we are fast approaching the height of color here in Richmond. :( I could give myself lots of excuses for this, but bottom line is,  I  guess I haven't been able to get myself organized enough to have enough time for field work . Mornings are so chaotic, and  I'd really need to be out of the door when it's still dark outside, and have my location planned out in advance, in order to be back at my daughter's preschool for pick-up at noon. It's frustrating, but  I'll tell you one thing... I have never been happier to have my studio right in the back yard instead of halfway across town like it used to be!

Copyright and wrong

Well for the past week we  have all been sick at our house dealing with our first round of the preschool yucks, but hopefully I will have some progress shots to share of a new painting later on in the week. Meanwhile, I thought I'd share some thoughts on the matter of copyright. It's been brought to my attention that someone has been trying to sell homemade prints of one of my original paintings on eBay.  Obviously I did not find that OK. Just because artwork is on the Internet does not mean it is a free-for-all. Even a very ignorant person would have to take pause, I'd think, and know on some level that what they were doing was wrong.

I have been criticized in the past for posting a watermark on each complete painting I put up on the web. Some say it obscures their viewing pleasure when looking at the piece. I do understand this, but what with Google Images, Pinterest, eBay, Flickr, and many many personal blogs, an artwork can quickly end up far away home.

I post my watermark so that should the image show up on another site without my knowledge or permission, I would at least have my copyright symbol visible and there would be  no question about ownership. That watermark is what prompted another very thoughtful artist to tip me off about the bogus auction.

The starting bid was very low, and there were no bids when the fraudulent posting was taken down. In light of that, some might say that this incursion seems just a minor offense, so why all the huff about it? Well, first of all, it's just plain wrong. Apparently I am not the only artist this person is stealing from either. Secondly, this is far from my first time having to deal with this kind of thing as an artist,  and it all gets kind of wearying after a while.

Thankfully, eBay's legal department (VeRO) did take the listing down, but the person is still in operation, even though I understand that other artists have had their work similarly counterfeitted  (and I'm pretty sure they reported it). That is really disappointing.

It's not ok to use other people's intellectual property and make copies of it without the property owner's permission, whether for profit or not. It is not ok to take credit in any way for another's work. ( Duh!?) Really, unless a work is in the public domain or under a creative commons license, it's not ok to use a copyrighted image to even decorate your blog without permission or in the very least, a name credit and reciprocal link, though people do it all the time.

Imitation is one thing. We all as artists have studied other work, and even "tried on" other people's styles, techniques, palettes, and methods. That is all classified under the category of learning and is a legitimate way to grow and develop our own work. There is a certain beauty in the dialogue that occurs as one artist's work is influenced by another's.  That's why I myself have a huge collection of art books, and why I like to post demos and other goodies about materials and techniques. After all, we don't create in a vacuum.

Certainly there are a lot of gray areas, and I don't claim to be an expert on copyright laws. But as a working artist, I guess my main point is, when in doubt, ask permission. Many artists love to have their work featured on other websites and other venues, Internet or otherwise. I count myself among them. But I still want to be asked, and I still want the option to decline if I don't feel it's the right fit for me or my work.  It's just the right thing to do.

Revisions, revisions...and finally the final!

Well is this the slowest moving demo ever, or what?  Sorry about that, and thanks for sticking with me! I  haveenjoyed this painting, but  I struggled with the foreground boats I had planned to include.  I took them out and put them back in several times. I felt like I wanted something there to lead the eye into the picture, but the boats as I had them seemed to block my entrance  rather than aid it. So I finally settled on a single rowboat to lead the eye in while still allowing some breathing room.

After that was all hashed out (whew! ) I set about laying in the background boats against the retaining wall, half of which are in shadow, and half in light.

Next came the masts, sails, and water. The reflections in this scene were very soft and shimmery. Light reflections tend to cast a wee bit darker than what is being reflected, and dark ones are a tad lighter. I tried to keep the whites on the warm side, as they take on a lovely golden glow as they glimmer in the low angle of the sun.

"Pescallo Glow" Oil on Linen, 24x30" (SOLD) ©Jennifer Young

"Pescallo Glow" Oil on Linen, 24x30" (SOLD) ©Jennifer Young

So, did I keep with my grayscale plan I mapped out at the beginning of this demo?  You tell me:

pescalloglowbw_jenniferyoung
notan sketch
grayscale sketch by Jennifer Young

I must say that I liked having the grayscale notan and I actually did reference it often during the entire process of my painting. While I think it is a valuable tool, I think I would still have benefitted from doing a compositional line drawing in addition, especially with such a complicated scene. I probably reference the notan sketch more throughout the painting, but a strong compositional line plan may very well have eliminated the foreground boat dilemma I struggled with midway through the painting.  Live and learn!