Back from Maine

A month has passed since I spent a magical two weeks in Maine doing my artist's residency. It was truly breathtaking and I feel so fortunate to have had the opportunity. I came home to all of the responsibilities and duties of home life, but with a renewed spirit that I think will carry me through as I continue to explore this incredible landscape in the studio. It has been a long time since I have been able to dedicate an entire two uninterrupted weeks solely to landscape painting, and it's hard to think of any more inspiring place to do it than Maine. I've put together this little slideshow of the works I came home with on my trip. If you click directly on one of the images it will take you to the Maine gallery page and you can read more about my experiences on the island and the creation of each piece. 

"Cliffside, Lane's Island"

Oil on linen, 12x16"

"Beach Rocks"

Oil on linen, 9x12"

"Docked at Low Tide"

Oil on linen, 9x12"

"Day's End, Lane's Island"

Oil on linen, 11x14"

"Island Fog"

Oil on linen, 8x10"

"State Beach, Morning"

Oil on linen, 12x16"

"Brown's Head Light"

Oil on linen, 14x18"

James River plein air

Oh happy day! Oh cold morning; but nevertheless, happy day. This week I finally managed to get back outside, to visit one of my favorite painting muses, the James River. The James River Park system in Richmond, VA, continues to fascinate me and remains one of my all-time favorite plein air painting sites.

*SOLD* Autumn Morning on the James River", Oil on canvas, 6x8" ©Jennifer E Young

I painted this at Pony Pasture, where I stood wedged between some boulders.

Pony Pasture is on the south side of the river, in Richmond VA. I've always wondered where this part of the park got its name, but only today did I think to look it up. According to Richmond.com, "The name came from the 1960s when the area was suburban and people who were into housing their horses near the river," said Ralph White, who is the (now retired)  manager of the James River Park.

While there are no ponies today (though what a cool sight that would be) there are plenty of other creatures to observe, including Canadian geese and herons, as well as dogs and their owners, fishermen, kayakers and canoers. Oh, and you might occasionally see the odd painter too. ;-)

More Plein Air to Studio

Last week I continued my quest to mine some of my favorite plein air paintings for larger studio pieces.  The inspiration piece was a little 9x12" Plein air painting I did in the spring down at Maymont Park in Richmond, VA:

"Spring Renewal", Oil on panel, 9x12" ©Jennifer E Young

I really wanted to keep the same freshness in the larger 24x30" painting, so aside from referencing my photos for some of the branch formations, I used my Plein air piece as my main reference. Here is my setup, with the large and small side by side: 

If it appears that I'm using a toned canvas, it is because I am painting on one that was a false start for a painting that turned into a wiper. I will often reuse canvases as long as there is just a thin, non-textured base. Anything with too much of a texture is distracting to me and can sometimes create adhesion issues. There is a good deal of impasto (thick paint)  passages on this canvas. Here is a detail in progress:

And finally, here is the completed studio painting:

"Renewal", Oil on linen, 24x30" ©Jennifer E Young