Missing Provence (and a new landscape painting of the Luberon)

I've really been missing Provence. But with the U.S. dollar faring so abysmally against the Euro, right now I'll have to console myself with paintings. On my last trip to France, I fell in love with the Luberon. With its gorgeous scenery, wonderful olives, cheeses, and wine, it is an easy place to love.

"Sentier aux Coquelicots" (Trail of Poppies) Oil on canvas, 24x30"

The village of Lourmarin is a little gem, and a great destination for the plein air painter. There is no train station there, but in many ways, I see this as a plus because it wasn't overrun with tourists. It was lively enough in the daytime as it is a very charming town and popular with daytrippers (it rightfully earned a listing in the book "The Most Beautiful Villages of Provence".) But at night it was extremely quiet and peaceful.

Lourmarin is easily walkable, and for a small town, there were a number of good restaurants to choose from. On longer hikes we soon found ourselves out in the dazzling countryside, with vineyards, olive groves, cherry orchards and lots of wildflowers in the spring and summer. Needless to say, I always had my painting gear handy. Thanks to my fabulous husband, my burden was usually relatively light, which is why he soon took to referring to himself as "le pack-mule". ;-) Further afiled, short drives easily took us to some of the other charming villages nearby (Ansouis, Bonnieux, Roussillon, etc.) which had their own charm and beauty.

I am sure we wouldn't have done wrong basing ourselves out of any one of the many lovely villages in Provence, but our time in Lourmarin was pretty darn near idyllic, and I long to return. Loooong. And I'm sure I will. It might take me a little time to save the extra pennies, but I will.

p.s. I did!

Slideshow demo: Provence cafe painting start to finish

While I diligently documented the progress of my latest Provence painting, I was remiss in posting about it here on the blog. So to make up for it, here is a short demo that shows the development. The painting is of an al fresco lunchtime scene in the lovely French village of Roussillon. To see a the slideshow (with captions), click here:

 

"Dejeuner a Roussillon", Oil on Canvas, 36x24". Click here for details about the painting.

New "Art for Food" charity auction listed- Provence watercolor

Here is the latest in my series of charity auctions for the Central Virginia Foodbank. I am listing this little Provence watercolor of the Luberon Valley on eBay, and you will notice some adjustments to the listing due to the things I wrote about in my previous posts here and here.

"Summer Vineyard" Overall size 8x10" (image size 5x7")

Bidding has ended for this item, but you can see the latest art auction here.

On the easel- Provence outdoor cafe painting WIP

After spending so much time painting small pieces, it is nice to be working on something large again. This is the beginning stage of a 36x24" oil painting of an outdoor cafe in the Provencial village of Rousillon. I painted a small study of this scene some time ago and I have been wanting to create a larger version for a while.

Even as a full time, near daily painter, it's always a little scary posting a work-in-progress because I don't exactly know how it will turn out. I have a pretty good idea, but from time to time  a painting may not come into fruition in the way that I expect. But, that's all part of making art, I suppose-- a little trial and error, and a lot of practice.

It might be a little hard to tell what's going on at this stage, but what I'm painting is a village square with lunchtime diners seated at umbrella-covered cafe tables. I've started in my typical manner of putting down my design with a light wash of ultramarine blue and cad. red light or permanent alizarin, thinned way down with mineral spirits. I'm drawing with brushes, but also just with a rag, wiping in and rubbing out as I develop the composition.

While I'm still keeping it pretty light and loose, with architectural scenes I do a bit more drawing and shading than I might with pure landscape. This does not mean that my compositional decisions are done, however. Sometimes I will make changes, shift, add or subtract things as I am further along in the painting process. But I've gotten a good start and I'm ready to jump in!

*UPDATE: See the progression of this painting demonstration from start to finish here!

"Summer Vineyard", Provence watercolor vignette

Last minute Christmas shoppers have kept me incredibly busy (and thankful) this week at the gallery, so I am finding little time to blog and do much needed computer work. But I do have a new little Provence watercolor painting to share.

"Summer Vineyard" Watercolor/Pen & Ink on Paper

It might not be quite "season appropriate," but if you're like me, there's never a bad time to dream of summertime in Provence.

A few gallery snaps from the "Small Stuff" show

Don't let anyone tell you that hanging a show for a bunch of small works is an easy task. But after it was all in place, we were very happy with the results, and I'm glad to report that my husband and I are still married. ;-) Here are a few shots from the show, on view now through Jan. 30th: When we were looking at this space for the gallery, one of the first things I noticed was this cute built-in. It's a perfect display for my minis and my new line of watercolor/pen and inks. Here I've decorated it with some lights and mistle toe:

A close-up that shows some of the ornaments--I like the little silver and gold Christmas balls along the bottom shelf:

On the opposite wall are the landscape paintings of Venice and Lake Como:

Close-up shot of the mantlepiece decorated with paintings. To the left of the large Venetian landscape are a series of little square 6x6" Lake Como paintings. Anyone who has read my blog for a while, or my squidoo lens on hanging art must know I'm a fan of grouping big and small paintings together like this. I'd love to do something similar over my fireplace mantle at home.

A small grouping from the next room of some of my more local autumn scenes:

I  guess that's really all I had time for, photography-wise. I may share a few more snaps and I will definitely share more info on some of the individual pieces in the show very soon.

Miniature landscape painting of the Tuscany sunset

This painting sold last night at my gallery exhibition preview, but it's still on view tonight for the First Fridays downtown art walk. It is a companion to another Tuscany painting I blogged about a couple of days ago:

"Lingering Light, Tuscany II" Oil on linen, about 3.5" x 7.75"

If you're doing the downtown art walk tonight in Richmond, come by Jennifer Young Studio & Gallery and see all of the "Small Stuff" -- miniature paintings and prints --on display for the holiday season. The gallery is located at 16 East Main Street between 1st and Foushee.

If you're not in Richmond, I am continually uploading new paintings to my web gallery, or you can see them offered first here, on the blog. I'm also offering free shipping (with some restrictions) until the end of the year, for holiday shopping convenience.

Useful links:

Ideas for hanging "small stuff" How I pack paintings for shipping My purchasing FAQ's My gallery information (and virtual tour)

Fun new mini prints and free shipping!

If you subscribe to my email newsletter, you may already know about the charming new mini prints I'm offering. But if you're exclusively a blog reader, you may or may not have noticed that they're also newly linked here on the blog (scroll down to the end of my sidebar on the right side of the screen.)

These new prints are made on acid free fine art paper with archival inks, and sizes range from very mini 2.5" x 3.5" (such as the one pictured, matted to 5x7") on up to 8" x 10". All are signed and make great holiday gifts. I'm offering these prints via my new Etsy shop for online shopping convenience.

As an added bonus, right now shipping is free one-way in the Continental U.S. for all purchases of $30 USD and over. Customers outside of the continental U.S.A.: You will receive a shipping credit (based on my listed shipping charges) towards your actual shipping costs! (Contact me for a custom shipping quote prior to placing your order.)

By the way, I'm offering the same shipping promotion for any paintings and limited edition prints purchased via my website as well. Click here or just contact me for more information.

New painting details uploaded to the website

It took me a while but I finally got around to uploading some of the plein air paintings I've blogged about in recent months:

   

Details and purchasing info for these smaller paintings  of the Eastern Shore of Maryland are in my gallery of Mini Paintings, as is the recent little autumn scene. In another section of my website, I've uploaded these two Eastern Shore plein air paintings in my gallery of water-related scenes: 

 

 And finally, I mentioned yesterday that I was considering doing a touch more to the little lavender watercolor. Well, I didn't do much but I couldn't resist a tweak, and you can see the final image in the Vignettes section of my website. As with my other Vignettes, this one  may be purchased online  via Paypal. Update: This painting has sold!

Now that I'm getting caught up, I have some new work to upload...stay tuned!

A Provence Watercolor Vignette and a Newsflash

 

It has been a busy week tending to other things, so not much blogging. Above is a little watercolor vignette of one of my favorite subjects--the Provincial countryside! I may go back and add a little detail to the lavender rows...not sure. This is a small piece, a 4x6" image on 5x7" paper, so I kind of like the simplicity and freshess right now.

I've decided to change the "Art Sketches" category of my website to "Vignettes". The above image details and the change to the site are not yet live, but that's part of what I am working on this week. I think Vignettes is more appropriate and encompases both watercolors and other media in small format. I will be doing a lot more of these in the coming weeks as I prepare for my next opening in early December, entitled "Small Stuff".

Speaking of small stuff, here's the other thing I've been working on: I'll be releasing a series of mini-prints soon. These are archival prints of a selection of images in mini format, sizes ranging from 2.5" x 3.5", to 8 x 10". They'll be offered matted with acid-free materials, and they are soooo cute! I've been color correcting and proofing all week, sometimes tearing my hair out, but I expect to launch this line by the beginning of next week. Let's hope I'm not completely bald by then!

Do you Squidoo? My new lens on hanging artwork.

According to Wikipedia,

"Squidoo is a network of user-generated lenses --single pages that highlights one person's point of view, recommendations, or expertise."

According to me, it's pretty addictive! I've really been enjoying surfing it, and I've also created a couple of lenses of my own. My most recent lens is: Hanging Artwork and Caring for Your Art Collection. While I've blogged some of this information before, I've included new content on my lens that I hope will be of interest to art lovers and art collectors. I've also just updated my other lens on landscape painting with new content, so check them out! And if you enjoy my lenses, please consider leaving a star rating for them at the top of the screen.

Preliminary plans for workshop

Just a quick announcement that I have been in conversation with a workshop and tour organizer for a landscape painting workshop in  southern France in the late spring/early summer of 2008! It should be an incredible time to be there when the poppies are in full bloom. I will supply more information as the plans become solidifed but for now, please get in touch with me with your contact information if you are interested in this workshop and I will send you the details as soon as possible. Update: After much discussion we have agreed upon a projected spring/summer workshop in 2009 instead of '08. This will give us more time to do the proper planning and promotion. It will also enable me to fulfill the commitments I've made in relation to my new studio/gallery during its first year of business. I'll post all information and updates at this link and on the blog regarding the 2009 workshop as soon as they are available.

Art Sketch- May in the Luberon

Today I present a watercolor/ pen and ink sketch I've done in preparation for a larger oil painting. This scene shows a small stone structure alongside a poppy-lined path leading to a Provincial farmhouse in the heart of Provence. The stone structure is one of many I saw while traveling through the Luberon valley. It looked to be a mini-borie. A borie is a stone hut commonly used in agricultural areas for storage or shelter. Some in this region date far back in history, but they have also been built in modern times. I don't know what use this mini-borie would possibly have held other than decoration, or even if it is technically considered a borie, but it did have the same kind of honeycomb or igloo structure:

"May in the Luberon" Watercolor and Pen & Ink on Paper Image size 6x8"

Little Shop on the Corner

Here is a recent inquiry I received from a fellow artist: "I, like you, have been lucky enough to be in Provence  during Lavender season, and i have been back several times. My question  is....that color of "blue" on the shutters and doors you see everywhere...what color is that, and how can I mix it.  William Alexander  got me hooked on painting several years ago, and I even have my own Mt  Ste. Victoire hanging in my house.  Any help you have with this color is  greatly appreciated.  Thanks in advance. -JH"

To which I replied:

"Hi JH- could you be more specific? I've seen a particular blue/gray and also a more vivid blue in the shutters. But both are a challenge to mix. If you use pure local color, the shutters tend to look too bright and candy-like. However, I've had some success with mixing combinations of Rembrandt's Sevres Blue + Cobalt Blue + white and a *touch* of cadmium orange to gray it down as needed. How much of each in the combination depends on the value and hue of the shutter. Try that and see what you think."

...And here's my own bit of experimenting with just that very challenge:

"The Little Shop on the Corner" Roussillon, Provence, France Oil on Canvas, 16x20"

Rose Garden in Provence

Fresh off the studio easel is a new painting of a beautiful rose garden I saw while visiting the area around Lourmarin.

 

 This painting measures 24x24" and is oil on gallery wrapped canvas. The painting continues around all four sides so it is ready to hang and no extra framing is needed:

The roses are blooming here in Virginia also, and I'll head out this weekend and part of next week to capture some of them en plein air.

For more information about the painting featured, please click on either image above, or contact me.

Painting lavender

Here is an exerpt of a recent email I received from a student of painting, inquiring about painting lavender:  "I just cannot get the lavender/periwinkle  color  figured out. How did you make it? Do you recall? Thanks again. I've much enjoyed reading your blog and your artist's  tips.

 Cheers,  T. J."

Dear T.J.,

Well, color mixing is a very ingrained habit that happens when I'm "in the zone" so to speak. Typically for lavender what I'll most often use is Ultramarine Blue (deep) mixed with Permanent Rose (W&N) and white. Distant lavender looks cooler, so I might use a bit more blue Cerulean or ultramarine, and less rose. It just takes a lot of experimenting, but after a while color mixing becomes pretty intuitive. -Jennifer *** 

Painting lavender is so much fun, and I feel so fortunate to have traveled to Provence during lavender season. One thing that struck me was the way that lavender changes color temperature. Sometimes it looked like a deep blue jewel, other times a violent purple, and still other times the red tones would come out so that it looked more heather.

"First Light", oil on canvas, 16x20" Price:$1175.00 framed

As with anything in landscape painting, the color temperature of your subject is very much dependant on the light. Morning light appears warm until you compare it to light in the evenings. At high noon, the light is directly overhead, so your subject looks flatter and devoid of shadow areas. To get the best understanding of the effects of light on a subject, it is imperative (for me) to go out in nature and paint what I see. I paint from photos all of the time, but only after I have done a considerable amount of painting, sketching and observing of the subject at hand on location. Photographs are a great resource, but they can lie! It is fine to paint from photographs and study them and the work of others while you are learning. But painting from nature can be the best teacher of all.

A Corner of Giverny

Today's painting is of a corner full of flowers in the village of Giverny, where Claude Monet made his home. It measures 8x8" and is oil on gallery wrapped canvas. The edges of this painting are finished off with a complimentary green color, so no other framing is needed:

I think it was probably Monet who started the trend of pink stucco houses with green shutters, but there are several buildings in this little town with this color combination. While I'm sure the plantings are intentional and well-planned, hollyhocks, roses, lilies, and other flowers seemed to just grow out of any available stone crevice in this town. I sure wish I could say the same for my own garden!

For more information please click on the image or contact me.

New giclee print offerings

Here are two paintings I completed recently that I am having reproduced as limited edition giclee prints:

"Off The Beaten Path II"

"Along the Route to Dieulefit"

 

My giclee prints are offered in limited editions in a selection of sizes from small to quite large. They are perfect for home decor as well as corporate art, art for hospitals and art for hotels. I expect the prints to be released in January 2007. Please contact me if you would like to be notified when they become available, or if you would like any additional information about the prints. To see my current print offerings, please visit this link.  For more information about the original oils shown here, please click on the images above.

New Gallery Photos

I thought I'd post some photos of the new gallery space, which officialy opened last Friday night. We were swamped the entire night so I did not get ONE picture of the actual event! It turned out well--hectic but fun. We're both still recovering from total exhaustion, but at least we made it through "phase one". Phase two is still to come--moving my art studio part into the building. We hope to have that accomplished by mid January at the latest. Front room:

This is the wall to the right as you walk in the front door. The flowers on the table are from our new landlord!

This is the left wall of the same room--A great spot for the paintings in my mini collection:

This is a view of the right hand wall as you continue on into the middle room.

Here's a shot of the same wall looking back into the front room:

Here is the opposite wall in the second room. The picture to the far left is an original oil painting of Tuscany. The pictures to the right are canvas prints on the walls, and paper prints in the rack. People were amazed at the quality of the canvas prints, which looked so much like paintings that I had to tell them they were prints and not originals.

   

Heading out from the 2nd room and into the third room. This is where the band played opening night:

Rounding the corner into this third room, here is my wall of Key West paintings:

   

   I had these paintings framed differently from the usual gold because I felt like the solid gold was too formal for this subject matter. I like the linen liner and the platinum colored frame with the bamboo motif for these sunny Key West pieces.

   This last room will undergo some changes. The front two rooms with the hardwood floors will remain gallery space, but we'll use this area more for work space (to be determined), though we'll still hang some art here. Down that hallway is a fourth small room and a bathroom with a utility sink.

   Jennifer Young Studio & Gallery is located at 16 E. Main Street, Richmond, VA, 23219. Currently we are open from 6 to 9 p.m. during the First Fridays Art walks, and other times by appointment. Please call 804-254-1008 (1-877-DIAL-ART toll free) to visit the gallery or to inquire about the paintings you see on the website.

Large format prints

This morning I am off to the printer's to do my final round of proofing for my new series of large format giclee prints. I am excited to be launching this new print series. The proofing has been a rather involved process. Apparently according to the printer I use an extraordinary range of greens in my paintings that are difficult to replicate. I will take this as a compliment, especially since I just recently posted about the difficulty of mixing greens ;-). In any event, my last round of proofs were looking really great. Just a tweak here and there one last time and I expect to sign off on them today. So hopefully I will have some new offerings sooner than I thought! I'm offering a pre-order special of 10% off the regular print price on my website for anyone who would like to purchase one of these prints prior to the official release on 11/1. The release date will allow me some extra time to get the canvas prints stretched and secure packaging for the paper ones.

I hope to post some more artwork to my blog soon. In the midst of running back and forth for the print proofing, I am working on a large commission of three 30x40" paintings. I'm 2/3 of the way there though, so that should open the way for more image posting here.

Tags: art prints landscape prints artist French landscapes Tuscany landscapes