A good day in Annapolis

My first full day in Annapolis had a slow start, but in the end I got two and a half, maybe three little pieces done. I say *maybe* three, because the last one was just as the sun was setting over the town and night fell before I could really asess the work. But I'm jumping ahead. Annapolis is a charming little town, and the weather has been ideal. As lovely as the day began, I spent a good deal of time this morning wandering around with my gear in tow. For some reason I couldn't decide what to paint. Maybe I was overloaded by too much stimuli. Or maybe I was a little road weary...who knows? In any event, eventually I did settle down, and started with a street scene of  a sweet little church on the south side of Annapolis, in the sectoin of town called Eastport:

"Morning in  Eastport" Oil on Board 8"x6" ©Jennifer Young

Because of my late start, it was approaching lunchtime when I finished. So I thought it would be a good time to take a break and check out the rest of the Paint Annapolis event before I set up for another painting.  I was a little disappointed that I didn't see more painters out and about. I know they were there, but they must have been pretty well spread around Annapolis because I only came across a few the whole day. I imagine many of the juried artists were off on some quiet street somewhere away from the tourists so they could get some serious painting done. As for the others in the MAPAPA, most were nowhere to be seen; even though by the looks of the sign-in sheet, I know they had "checked in" at the information center.

I am hopeful that I'll run into more painters tomorrow. But for today, rather than drag my gear around endlessly for blocks on end, I abandoned my search and decided to set up for another painting. The light was getting really lovely and I found a nice, shady, quiet spot at the end of Shipright Street:

"Harbor View, Annapolis (Shipright Street)" Oil on board 9x12" (SOLD) ©Jennifer Young

This photo really washes out my sky, but it was turning that lovely warm tone of late afternoon, and the clouds were taking on a beautiful soft pink glow. Until I can get this painting home to adjust the colors and edit out the little knobs of the canvas holders from my easel, you'll just have to use your imagination! This little scene shows the view looking out towards a little harbor on Spa Creek, and the red drawbridge that connects the historic center with the small maritime republic of Eastport. The historic center is lovely, but I rather prefer crossing the bridge to quieter section of Eastport. There is much to attract-- the quiet, charming streets and all of the smaller harbors that allow many lovely views of the water.

With painting #2 complete, I thought I was done for the day. So I packed up to head back to the hotel. But on my way back to the parking lot, I was struck by the last pink light of the setting sun over the historic town. I whipped out another canvas and started what I thought was to be a small sunset painting. However, the sky changed soooo quickly that soon I was painting a nocturne. Even though my canvas was small, (8x8") it soon became impossible to see anything in the dark as I had no street light nearby to help me in my task. It will be like looking into a Christmas stocking tomorrow morning when I go to the car to take a look at the painting in the daylight. Even so, I may yet pull out a lump of coal. We will have to see!

Paint Annapolis

Haven't gotten a whole lot of painting done in the last few days, but hope to remedy that this weekend in Annapolis. I'm going up to participate in the Mid Atlantic Plein Air Painters Association paint-out that is running concurrently with the Paint Annapolis competition.  Paint Annapolis is an annual juried competition, also spearheaded by the MAPAPA. 30 artists who have been selected by a jurying process compete for prizes by painting en plein air over a long weekend around the historic section of town near the harbor. I have not been one to apply for many competitions and I missed the deadline to apply for this one. Up to now, I guess competitions haven't really been on my radar. I don't really consider myself to be competitive in nature and the thought of "performance painting" just seemed like more stress than fun. On the other hand, aside from the opportunities they offer, there is a lot to be said for immersing yourself in a community that is welcoming to artists, where the focus is just painting, painting, painting.

There is certain energy you get from working with other artists in a group setting that encourages and inspires, and makes you want to do more and do better. That is the experience I have had with workshops, whether I've been leading them or taking them. And while accolades and prizes are nice, I suspect this is the real appeal to the paint outs and competitions for many plein air painters too.

This is what I had in mind when I registered for the paint out. Since up to now I've been a pretty inactive member of the MAPAPA, I figured this would give me a chance to do something with the group, as well as to see what the Paint Annapolis event is like from the inside, without the added pressure of competing. I also love Annapolis and have always wanted to go and paint there. I am supposed to have free high speed Internet access at my hotel, so if all goes well, I will blog about my experience while I'm there.

The weather is looking promising, and I'm excited about the trip. Still, the event probably couldn't come at a worse time for me personally. Moving time is fast approaching, and next week we start breaking ground for the new studio! I told my husband that I couldn't believe I was going to Annapolis with all that we have going on. "I really think I am going insane," I said. He had one word in reply, "...Going?"

Art Studio update, and which wall color?

Well, we came back from our beach vacation this past weekend to find out that our building permit application for the garage/studio was approved. We were pleasantly surprised, especially considering it only took a week, and we had been warned that this process could take much longer. I'll not gloat too soon though. We have a long process and many permit applications yet ahead; but at least we can get this ball rolling. I've got to get some painting and packing done today, but soon I will share my little floor plan I've worked out for my work space. Meanwhile, here's a related question I've just received from a fellow artist, followed by my response:

Q: Just moved into my new home. I have a north facingwall with lots of windows and storage space, now I need a wall paintcolor... any suggestions???

-J.A.

Dear J.A.-

I am just getting started building a studio, so this is a topic I need to investigate myself. My main thought is to do something neutral. White can tend to make the light bounce around a lot, especially if you have lots of windows. You might check out artist Casey Child's blog post about the paint color he picked. A lot of portrait painters are into this neutral gray-green. I have no problem with the hue but I'm a little afraid the value shown at the above link would be too dark for me. But it could just be my monitor or his photos --or it could be that the walls don't need to be as light as I think they should be (Any thoughts, anyone?) In any event, whatever color I am considering, I'll try out in swatches in my own space first. Paint colors can look very different from one location to the next.

Chore avoidance via a Tuscany landscape painting

Back home this week to face the music (which in this case is my studio move.)  As I'm going through the painfully boring task of packing up my studio, I'm coming across a few unfinished paintings. I'm ususally pretty disciplined, but I think between the overseas travel in the spring, working endlessly on plans for a new studio, and doing as much plein air painting as I can this summer, I've gotten distracted enough to leave partially-finished works lying in my wake. Here's one of them, now complete, of a sweet little vista of sunflowers and the Italian countryside :

"Tuscan Fields*" Oil on Canvas, 11x14" (SOLD) ©Jennifer Young

It was fun finishing up this little piece, and I'm not sure why I shelved it for so long, especially since it's relatively small. But if I had to guess, I'd say that I find starting paintings more fun than finishing them. That fact coupled with the general craziness of my schedule has meant that lately some paintings have fallen through the cracks.

Overall my track record has been pretty good though, and I do finish quite a few. But it's time to show some resolve and either finish up some of these "W.I.P.'s" or throw them out. Ah, who am I kidding? It's not as much "resolve" as it is chore avoidance. Whether it's starting or finishing, painting is still a whole a lot more fun than packing!

*p.s. When I went to title this piece my mind drew a complete blank. I'm sure there's a better title than "Tuscan Fields" but it was the best I could come up with. Any ideas? If so, feel free to leave them in the comment area!

Plein air painting in Hatteras -"Last Stroll, Twilight"

Well, we're packing up early in the wake of hurricane Hannah. There is no real danger expected here on Hatteras, but since we're losing a beach day and were scheduled to leave by 10 a.m. tomorrow any way, we figured we'd get ahead of whatever storm remains and avoid loading the car in the rain. Makes me all the happier that I stayed late on the beach last night to watch the beautiful show on display in the twilight sky:

Oil on Multimedia Artboard, 6x12" "Last Stroll, Twilight" (sold0 ©Jennifer Young

This late evening light is my absolute favorite time to be out painting en plein air. The challenge is that the light changes very quickly. So really, I just concerned myself with capturing the essence of the scene- the beautiful warmth of the sky and sand, the soft violet haze that ran along the distant horizon, and the silhouette of the line of beach houses beyond the dunes. What a nice way to end a beautiful week.