Sant' Antimo painting progress

I thought I'd share a few quick shots of the Sant' Antimo Tuscan landscape I've been working on. The first color I lay in is the sky and clouds and distant mountains. The clouds will be the lightest value in the painting, so I want to "key" that in at the start.

Next come the darkest values- the majestic cypress trees so prevalent in Tuscany. At this point I also establish a rough lay in of the shadows of the abbey and cypresses:

Once that's done I set about fleshing out the rest of the painting. No highlights on these areas yet. But I am establishing some of the wonderful patterns in the terraced hillside and distant landscape.

Sant' Antimo on the Easel

We are back from the beach now. It was great but high winds thwarted any further attempts at plein air painting there for the remainder of the week. A near-constant rain has kept me indoors so far this week as well, so I have started a new Tuscan studio painting to console myself ;) .

This is to be a new 24x30" canvas of the Montalcino commune in southern Tuscany, at the site of the Sant' Antimo Abbey.

Happy July 4th, everyone!

Tuscan Sun Wines launch this week in Italy!

I have gotten a number of inquiries about the wine labels I was commissioned to paint for Frances Mayes' Tuscan Sun Wines,  and when the wines would be available for purchase. Well my sources (namely Twitter) tell me that the first big launch will be in Cortona Italy this week on July 4th.  It is exciting for me  to see the art finally realized on the wine bottles for which they were intended.

Source: Uploaded by user via Chef Robin on Pinterest

It will be even more exciting to see (and taste) the wines in person; but we here in the U.S. will have to wait for that. The U.S. launch is slated for some time in the fall.

Commissioned paintings for Frances Mayes' Tuscan Sun Wines

Speaking of commissions, I thought I would share a few details of what for me was a rather exciting (and consuming) commission this past winter:

Tuscan Sun Wines, LLC of Denver, Colorado, commissioned me to create seven paintings of the Italian countryside for their exclusive use on a new line of wine labels for writer Frances Mayes, author of Under the Tuscan Sun.

Each of the seven oil paintings portrays a theme that is central to life in Cortona, Tuscany and “Bramasole,” Mayes villa made famous by Under the Tuscan Sun. Listed here are pictures of my favorite pieces completed for this project. If you follow this link it will take you to the wine distributors website where you can see how the paintings look on finished labels!

Sogno Rosso

We have been back from Thanksgiving travels for a week now, and we all received an awesome airline door prize in the form of the virus-of-the-day.  It's on the way out now, but I guess I should not be surprised to have contracted something, travelling with a toddler (who, especially since she has been in preschool has become the human petri dish!) Well, I guess as they say, what doesn't kill you makes you stronger. Any way, I am back to painting now, and I have really missed my studio time.  As I mentioned before, I am sticking to some smaller paintings for a while. The holiday schedule seems to just get fuller and crazier with each passing year. So, for sanity's sake, I think I am finally learning to just be kind to myself at the outset and not even attempt anything overly ambitious during this time.

So December is officially small painting month for me! And here, to prove my point, is a 12x16" painting of the Val d'Orcia, in Tuscany:

The compositional sketch:

"Sogno Rosso" Oil on Canvas, 12"x16" (SOLD) ©Jennifer Young

The Tuscan landscape just seems to roll on forever. It is a painter's dream. That idea is the inspiration for the title. "Sogno" (= dream), and "Rosso" (= the red field of poppies). I am painting from photos, memory, and imagination. The photos are the touchstone, but through memory I hope to convey my feelings for this place, which, from the very first time I laid eyes on it, has pulled at my heartstrings.

I rarely paint anything exactly as it is, (whether painting from photographs or life) so that's where the "imagination" comes in. I compose, rearrange, and edit until I acheive a composition and a statement that is pleasing to me. I want to stay true to the place, but really, it's just a moment in time, and an impression of the natural world that I'm after.

Though I am temporarily committed to keeping my painting sizes small, I think this composition cries out to be reincarnated as a larger piece at some future point. What do you think?