New Lake Como painting in progress

School's out this week due to snow, so my painting time is catch as catch can. Nevertheless, we have been conspiring with other desperate parents to arrange play dates here and there, which allows a little painting and blogging time. So I thought I'd share the Bellagio painting I have my easel this week. This is a promenade on the outskirts of bella Bellagio, leading to the stunning grounds of the Villa Melzi.  This view however, looks back towards the town. Apologies in advance for the poor quality photos and the cast shadow of part of my easel on the painting. I don't have a lot of time to photo edit anything but the final these days, so I hope you will bear with me. I start in the usual fashion, with a loose sketch of my composition in Burnt Sienna:

Lake Como painting demo by Jennifer Young
Lake Como painting demo by Jennifer Young

Next I lay in the shadow family and darkest notes.

Lake Como painting demo by Jennifer Young
Lake Como painting demo by Jennifer Young

At this point I'm laying in some general blocks of color. Still no highlights yet...

Lake Como painting demo by Jennifer Young
Lake Como painting demo by Jennifer Young

And here's my starting point this morning:

Lake Como painting demo by Jennifer Young
Lake Como painting demo by Jennifer Young

Next I will continue blocking in, including the water and distant village. I'm still working up the nerve to paint outside while there's snow on the ground, but we will see. Not much of a fan of the cold, but that snow sure is pretty.

Varenna Sparkle

I'm calling this one complete. Maybe a tweak or two to come, but I feel like I have been looking at this painting so intently that I need to take step back from it for a while and start something new.

Varenna Sparkle" Oil on Linen, 20x24" ©Jennifer E Young

Varenna Sparkle" Oil on Linen, 20x24" ©Jennifer E Young

This is a painting of the harbor of Varenna in beautiful Lake Como. It's a theme I have explored a few times now in different compositions. The complement of warm and cool colors really attract me. This one took me a while, but it got me through a number of cold, wintry days filled with bitter wind and ice. Maybe it was a complicated piece, or maybe I just enjoyed all that sparkle and warmth and wanted to linger a bit ;-).

A new year, a new painting

Welcome to 2015! I will spare you the laundry list of lofty goals or resolutions, mainly because I don't have one! Seriously though, my one overarching goal for this year is to paint more often and more consistently. That shouldn't be too hard to obtain, right? I've had some obstacles lately but they are not insurmountable, and to prove it, here is a new studio piece I've been blocking in:

Lake Como Italy landscape painting in progress by Jennfier E Young
Lake Como Italy landscape painting in progress by Jennfier E Young

This composition might look familiar to you. And there's a reason for that! It's based on a little gouache study I did not too long ago, only scaled up considerably (from 4x5" to 20x24") and in oils. Much more to go on this, but it's a decent start, and the year is young.  ;-)

Varenna mini gouache study

Thought I'd do a little experimenting with this fun little 5x6" study in gouache.

"Colors of Varenna (study) Gouache on Cottonwood Arts Coldpress paper, 5x6" ©Jennifer Young

"Colors of Varenna (study) Gouache on Cottonwood Arts Coldpress paper, 5x6" ©Jennifer Young

Here I'm just trying to get an idea about my lights and shadows and the basic shapes, so I've not much detail. For this composition I experimented with using a compositional grid that we studied during Kevin Macpherson's workshop (you can probably make out some of it in pencil beneath the gouache. I mentioned it briefly in my last post, but basically this is a method to achieve an informal subdivision of space, as discussed in Andrew Loomis' book called Creative Illustration:

loomisgoldensection
loomisgoldensection

After I learned more about this "grid thing", I realized that I had often been using this kind of subdivision intuitively. But it is good to have a tool handy to be more deliberate about it when one wants to, or if you are dealing with a complicated subject and are trying to decide what to leave in, what to edit out, and how to arrange a painting for the most pleasing effects.

It's been a while since I have worked with gouache and had forgotten that the colors shift a bit when they dry. Nevertheless I had a good time and really look forward to working with them again.

Sunlit Harbor, Varenna (painting complete)

Happy Spring everyone! It's been a looong winter, and I honestly don't think anyone could be much happier about a change of seasons than I am! Any way, to kick off the new season I will wrap up my painting of the Varenna Shoreline. Below you will see I've gotten the buildings of the village fleshed out and am just launching into addressing the water:

Varenna landscape painting in progress by Jennifer E Young
Varenna landscape painting in progress by Jennifer E Young

Next I work on getting the boats laid in, and adding a little more detail and highlights to the shrubs and trees perched along that wall.

Then the final touches of the masts and buoys are laid down. I use a liner brush to lay in the delicate lines of the masts, starting from bottom to top. A mahl stick really comes in handy here to steady my stroke. At this point I am nearing completion. I may go into it again, but I am going to sit with this a while and start in on something new. If it's not 100% done, it is close.

"Sunlit Harbor, Varenna" Oil on linen, 24x36" ©Jennifer Young

"Sunlit Harbor, Varenna" Oil on linen, 24x36" ©Jennifer Young