La France Profonde- countryside painting (wip)

Time was of the essence during this painting holiday. While not overrun with museums, there are so many living, breathing, and lovely places to experience in this area. What I mean by that is that this region is considered by many to be "La France Profonde". What I mean by THAT is that the Lot and the Dordogne embody so many of the characteristics of what one would think of as truly and profoundly French. The production of their food and wine, farming, and, well, their manner of living, is still very much practiced in traditional ways. Yes, there is a lot to see, (chateaux, winding and ambling river valleys, lovely medieval villages, and of course French markets and shops). But this is a place to be experienced.

There were a thousand potential paintings right around the old convent where we stayed. So to make the most of our time, we decidedto paint the sunrise. We got up extra early and headed out to paint a lovely sheep pasture that had been spotted by a the "early morning walkers" in our group. Only, there was no sun to be seen. Instead, (and even better) there was the most beautiful soft fog lifting off of the grass:

Pastoral French countryside landscape plein air painting

Work in Progress (as yet untitled) Oil on Linen, 11x14"

When we set up to paint, we had a couple of dilemmas. The sheep were in the neighboring pasture. But who could resist painting this little chateau? No problem. We'll just paint the chateau and move to the next pasture to add the sheep. (Hey, that's the beauty of being an artist, right?) 

The other challenge was the that we knew this etherial effect of fog would soon burn off, so we had to work quickly to capture what we saw as best we could, alla prima. Actually, the opposite happened. Instead of lifting off, the fog actually settled in thicker, nearly obscuring the upper part of the hillside trees.

This was as far as I got. It's almost there but I feel there are some areas that need to be resolved, like the foreground and the area just above the chateau. I'd also like to develop a bit more surface texture. The trick will be not to lose the freshness that is so characteristic of plein air painting. We'll see.

In any event, one bonus for us is that the sheep actually (eventually) decided to head over to the pasture with the chateau. Those critters can move, so you never know which way they're going to head. But we got lucky. Merci les moutons!

sheep doodle

Thanks to EmptyEasel.com for featuring my landscape paintings!

A few weeks ago, Dan at Empty Easel was kind enough to feature my plein air painting demo on his art site. I'm thankful to him again, because today he's given me a very nice a write up about the latest landscape paintings I've created for my current show about the luminous landscape. If you have an interest in the arts, do check out his site. He regularly features the works of artists he's reviewed from around the internet, plus he has wonderful tips for art and painting as well as Internet art marketing. If you're an artist, consider submitting your work or an article yourself for a possible feature.

...And if you're in the Richmond area, my show "Luminosity" is still on view until December 1st, so come by my studio/gallery this Friday during the art walk if you can,  or just contact me to visit the gallery at another time.

WIP landscape painting complete: Blue Ridge Morning Fog

Due to several days of rain, I had a struggle last week getting a good photo of the painting I shared previously  as a "work in progress" (here and here) . Sunshine has returned! Here is the completed painting of an early morning fog landscape in the Blue Ridge mountains (Nelson County):

landscape painting of fog virginia blue ridge mountains

"Blue Ridge Morning Fog" Oil on Canvas, 20x24" (SOLD) ©Jennifer Young

Fog landscape painting- Work in Progress (cont'd)

fog landscape painting demo
landscape painting of mountains

I decided to let the fog painting rest for a day or two to do a little plein air painting, and think about what I wanted to do next with the studio piece. When I came back to it, the surface had "set up" a bit, which made it easier for me to make adjustments to the color temperature. I decided I didn't want to wait to make changes to the overall warmth of the painting, so I jumped right in:  

painting demo landscape fog
fog landscape painting by jennifer young

 

As I'm going along I am restating shapes, doing a kind of push and pull with the foreground and background. I've reintroduced the telephone poles, which right now I rather like. More work to do but it is starting to take shape.